"played with blistering intensity and astonishing accuracy" BBC Radio 3: CD Review

"exquisitely controlled tenderness and precision" The Spectator

"The radiant intensity of Marwood's playing had extraordinary emotional power" The Guardian

"Awesome dexterity and passion" BBC Radio 3: CD Review

"golden tone and surefire musicianship" Washington Post

"formidable technique and intuitive musicianship" Scotsman

News

April 27 2012 - Frick Collection

Anthony has just returned from a very enjoyable series of concerts in the USA, including his recital debut in New York, with pianist Aleksandar Madzar, at the magnificent Frick Collection. Thanks to Colbert Artists for making this possible and to Margaret Everett for the post-concert dinner celebrations!

April 27 2012 - New CD for Wigmore Live

The Wigmore Live label has just released performances of Brahms sonatas performed during the 10-11 season with Anthony and Aleksandar Madzar, piano
 

December 15 2011 - Britten Concerto CD release : Hyperion’s Recording of the Month in February

Anthony's latest CD recording will be released on Hyperion in February 2012 : Benjamin Britten's Violin Concerto and Double Concerto with Lawrence Power (viola) and the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov

April 29 2011 - Final Florestan Trio CD released

The Florestan Trio's final CD - trios by Schostakovich - has just been released on Hyperion. The Daily Telegraph gave it a five-star review : "The Florestan Trio performs with terrific presence, precision, immediacy and palpable atmosphere. They delve beneath the surface to find and project the nuances of expression that lend these works their special flavour of soul searching.... Shostakovich’s work is voiced with a piquancy, force of emotion and anger that the Florestan Trio captures ideally."

February 22 2011 - Anthony joins Hazard Chase

Anthony is very pleased to announce that he is now represented by Hazard Chase for General Management. Details below.

January 14 2011 - Florestan Trio announces final season

The Florestan Trio has announced its final season of concerts. After 16 years of exceptional achievement and having recorded the major works of the Piano Trio repertoire to great acclaim, the career paths of the members of the Trio are diverging. The Trio’s last concerts include a tour in March, the Florestan Festival at Peasmarsh in June, and they conclude with a celebratory Beethoven cycle at the Wigmore Hall, London, in January 2012.

December 28 2010 - New Year, new recordings

Anthony starts 2011 with two recording sessions : the first, a recital at the Wigmore Hall (Sunday 9th January, 11.30am), part of a series of three recitals with the pianist Aleksander Madzar featuring music by Schubert, Schumann and Brahms, all recorded for the Wigmore Live label ; the second, sessions in Scotland for Hyperion - Britten Violin Concerto and Double Concerto, with Lawrence Power (viola), Ilan Volkov (conductor) and the BBC Scottish Symphony Orchestra.

April 1 2010 - SIGNING WITH COLBERT ARTISTS

Anthony is delighted to announce that he has joined the roster of Colbert Artists in New York for representation in USA, Canada and Mexico. Details below.

March 5 2010 - New CD recording with Thomas Ades

01

Anthony's new CD recording with Thomas Ades of the complete works for violin and piano by Igor Stravinsky on Hyperion has been receiving rave reviews.

“This fabulous 2-CD set offers so many pleasures it's hard to know where to begin.... Ades handles the finger-twisting difficulties of the Duo Concertant with total aplomb, and has exactly the right incisive, luminous and chaste sound. Marwood, too, has that springy, balletic quality always needed in Stravinsky, but he finds a myriad of colours to go with it : sly and sentimental in the Chanson Russe from Mavra, tender in the Duo. In all, it's a marvel." Daily Telegraph *****

"A particularly fine example of the partnership of these two great musicians" The Strad

"Marwood's intelligent, but emotionally charged, performances on his 1736 Bergonzi never feel forced or melodramatic, even in the face of the often weighty emotional debt that Stravinsky can pack into a passage... Indeed, Marwood’s own emotional range is quite impressive: his playing is delicate and nuanced in the appropriately titled Pastorale, and fraught with urgency throughout the five movements of the Beethoven-esque Duo concertant, which Stravinsky once said were created under the influence of Virgil’s idylls... It takes a violinist of high caliber to give voice to such poetic masterworks and Marwood delivers the goods time and again. I've seldom heard Stavinsky sound so spectacular." Strings Magazine

About

Anthony Marwood

British violinist Anthony Marwood is recognized throughout the world for his exceptional artistry, passionate intelligence and remarkable ability to draw a rich palette of sound from his instrument. His great versatility as an orchestral soloist, chamber musician, recitalist, and ensemble director has enthralled audiences and critics around the globe.

As soloist Marwood has worked with leading conductors including Valery Gergiev, Yan Pascal Tortelier, Marin Alsop, David Robertson and Ilan Volkov.  In the 2011/12 season, Anthony Marwood will give debuts with the Sydney Symphony, the Sao Paulo Symphony, the Musikkollegium Winterthur, the Orquestra Sinfonica de Galicia and the Norrlands Orchestra in Sweden. He also appears with the BBC Symphony, the BBC Scottish Symphony and the Deutsche Kammerakademie Neuss, amongst others.

Violin concertos that have been written for Anthony Marwood include Thomas Adès “Concentric Paths”, Sally Beamish’s 1995 concerto, televised on BBC4 and recorded for the BIS label; and a concerto by Ross Harris, premiered with the New Zealand Symphony Orchestra. The Adès concerto was first performed by him in Berlin and at the BBC Proms, with the Chamber Orchestra of Europe conducted by the composer, before giving the US premiere with the Los Angeles Philharmonic, the French premiere in Paris with the City of Birmingham Symphony Orchestra, and the Russian premiere in St. Petersburg. Steven Mackey’s concerto for violin and electric guitar, “Four Iconoclastic Episodes”, will receive its UK premiere at Cadogan Hall in June 2012, with the ASMF and Marwood and Mackey as soloists.

A major part of Marwood’s career are engagements as soloist/director with leading chamber and symphony orchestras. Formerly Artistic Director of the Irish Chamber Orchestra, he has also formed strong relationships with the Academy of St Martin in the Fields, the Australian Chamber Orchestra, Les Violons du Roy and the Australian National Academy of Music.


Another facet of Marwood’s career is genre-bending presentations. The Academy of St. Martin in the Fields’ fully-staged production of Stravinsky’s “A Soldier’s Tale” – in which Marwood acted the role of the Soldier and played the violin part – was named one of the cultural highlights of the year by the Daily Telegraph.  For several years Anthony enjoyed a fruitful and ground breaking collaboration with award-winning Indian classical dancer Mayuri Boonham, in which violinist and dancer move in seamless and illuminating choreography. They won special praise for their performances at the Place Theatre, South Bank and Royal Opera House.

In recital, Marwood and frequent collaborator pianist Aleksandar Madzar will make their US debut in New York this season and are working on the release of their first two “Wigmore Live” recordings of works by Schubert, Schumann and Brahms, the fruits of a memorable series of concerts in 10/11. Marwood recently toured a Stravinsky programme with Thomas Adès at the piano. In 2010, Marwood and Adès were joined by cellist Steven Isserlis in an acclaimed recital at Carnegie Hall’s Zankel Hall, and another collaborative concert with Steven Isserlis will take place at Wigmore Hall in November 2011.  Also this season Marwood appears at chamber music festivals in Trondheim, Belgium and Delft and in concerts with Natalie Clein and Michael Collins. A further highlight will be the final series of concerts as violinist of the celebrated Florestan Trio, in a Beethoven cycle at the Wigmore Hall, London, in January 2012. 

Anthony records for Hyperion Records for whom he has made more than 30 CDs, including much of the core trio repertoire with the Florestan Trio, and Stravinsky’s complete music for violin and piano with Thomas Adès, which has been praised for its “deftly characterized light and shade” (BBC Music Magazine) and “infinite subtleties” (The Times). His recording of the violin concertos by Peteris Vasks and Kurt Weill has been described as “gripping from start to finish”. EMI released the recording of the violin concerto by Thomas Adès in 2010 to widespread praise; it was named Gramophone Magazine’s Recording of the Month. Anthony’s next release will be the violin and double concertos by Benjamin Britten, with Lawrence Power and the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov.

The Royal Philharmonic Society named Anthony Marwood ‘Instrumentalist of the Year’ in 2006. He is the co-Artistic Director of the Peasmarsh Chamber Music Festival and teaches annually at the Yellow Barn Festival in Vermont. He plays a beautiful 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers.

Schedule

May 2012

May 1-6:  Festival Resonances Belgium

May 10:  Ades Concerto, Umea, Sweden, Noorlands Opera Orchestra, conductor Rumon Gamba

May 19: Beethoven Concerto, Chipping Campden Festival Academy Orchestra, conductor Thomas Hull

May 31: Recital with Aleksandar Madzar, Forde Abbey, Dorset


June 2012

June 1: Recital with Aleksandar Madzar, Cranbourne Farm, Hampshire

June 7: soloist/director with Academy of St Martin in the Fields, Steve Mackey (electric guitar), Cadogan Hall, London

June 14-17: Peasmarsh Chamber Music Festival, East Sussex

July 2012

July 4: Ades Concerto, Sydney Symphony Orchestra, conductor David Robertson, Sydney Opera House

July 6: Ades Concerto, Sydney Symphony Orchestra, conductor David Robertson, Sydney Opera House

July 7: Ades Concerto, Sydney Symphony Orchestra, conductor David Robertson, Sydney Opera House

July 23-Aug 4: Yellow Barn Festival, Vermont, USA

August 2012

till August 4: Yellow Barn Festival, Vermont, USA

August 8-12: Delft Chamber Music Festival, Netherlands

August 30: Recital with Aleksandar Madzar, Snape Proms, Aldeburgh

September 2012

Sept 1, 2 : Purbeck Festival, Dorset

Sept 14, 15 : West Wycombe Chamber Music Festival

October 2012

Oct 4: Vasks concerto with Auckland Philharmonia Orchestra Christopher Seaman, conductor, Auckland Town Hall, NZ

Oct 13: Vasks concerto with Christchurch Symphony Tom Woods, conductor, Aurora Centre, Christchurch. NZ

Oct 25: soloist/director with Australian National Academy of Music South Melbourne Town Hall, Melbourne, Australia

November 2012

Nov 1-17: Recital tour of Australia for Musica Viva, wth Aleksandar Madzar, piano

Nov 1: Adelaide

Nov 3: Newcastle

Nov 4: Sydney

Nov 5: Sydney (Amadeus Circle only)

Nov 7: Brisbane

Nov 8: Canberra

Nov 10: Sydney

Nov 11: Melbourne (Amadeus Circle only)

Nov 13: Melbourne

Nov 15: Perth

Nov 17: Melbourne

Nov 21-25: Huntington Estate Music Festival
 

December 2012

Dec 15: Brahms Double concerto with Christoph Richter, cello, Aurora Orchestra Nicholas Collon, conductor, Kings Place, London

Listen

Listen to excerpts from Anthony's recordings on Hyperion.

Reviews

“Is there nothing Anthony Marwood cannot do? He plays the violin, acts, dances, and can do all at once. He directs the Irish Chamber Orchestra, plays with the Florestan Piano Trio, commissions composers, jointly runs his own festival and has a network of worldwide collaborators. To cap it all, this consummate artist is blessed with boundless energy, intellectual curiosity and creative wizardry” BBC MUSIC MAGAZINE

“He’s a magic name in the business” INDEPENDENT, UK

"Few musicians serve their metaphorical master as convincingly as British violinist Anthony Marwood. His every endeavour seems to stem from a debt to art, a debt to music. There is nothing that gets in the way of the ultimate goal - the realisation of perfection and honesty in his craft" SUNDAY TRIBUNE, IRELAND

"If there were rock-star equivalents in the classical music world, ace British violinist Anthony Marwood would be on the list" THE AGE, AUSTRALIA

Thomas Ades concerto with Chamber Orchestra of Europe/Ades/EMI, June 2010

"superb....Anthony Marwood performs astounding feats..." BOSTON GLOBE

Ross Harris concerto (world premiere) with New Zealand Symphony Orchestra, May 2010

"Ross Harris’ new Violin Concerto has a strange effect on the listener, who seems to be almost drawn into its creation. It starts hesitantly, the soloist on his own playing fragmentary ideas: then the clarinet enters and his brief melody invites the other woodwind to join him. In effect, the beautifully textured concerto, hovering tantalisingly between tonality and atonality, is at last under way.
The soloist is hardly ever out of the limelight, decorating and rhapsodising on the material. Then the orchestra arrives on a hushed, seamless chord, over which the soloist reflects on its melodic ideas and draws them together. The concerto ends with the orchestra finally bowing out, leaving the soloist to return to the same fragments with which the concerto opened. “Questions finally unanswered,” writes Harris in the briefest of programme notes. It is a work that captures perfectly the essence of our time - it is also a work of extraordinary and haunting beauty.
The success of the performance owed much to the commitment and understanding British violinist Anthony Marwood brought to it. It was a performance that heightened the emotion of the solo line: there was tenderness, mystery and joy of the dance, as well as thrilling virtuosity. The orchestra under Tecwyn Evans's baton gave enthusiastic support." NEW ZEALAND LISTENER

"English violinist Anthony Marwood was electrifying, teasing us with his opening, serpentine solo that fuels the work, fragment by fragment." NEW ZEALAND HERALD

"a dazzling violin role, here played absolutely superbly by eminent English violinst Anthony Marwood" DOMINION POST

Zankel Hall, Carnegie Hall, with Thomas Ades and Steven Isserlis, March 2010:

"When Mr. Marwood and Mr. Isserlis took up that theme, their sound was focused yet spectral and haunting. This refreshingly unvoluptuous take on the piece [Ravel Trio] continued in the incisive, spiky account of the macabre, scherzolike second movement and the almost medieval austerity the players brought to the subdued and inexorably slow Passacaille. While the finale had the requisite whirlwind energy, the crunchy, incisive playing never allowed the music to sound flashy." NEW YORK TIMES

"...an effortless technique and a beautiful, rich, varied tone that was free and flexible - his Janacek had a spoken, improvisatory quality, but also form and coherence" STRINGS MAGAZINE

SCHUMANN CONCERTO WITH AUSTRALIAN CHAMBER ORCHESTRA, SEPTEMBER 2009:

"In Anthony Marwood's hands this concerto [Schumann] sounded decidedly virtuosic. Sustaining a rich, full-bodied tone and clear, focused sound, his accurate rapid-fire passagework and sensitive phrasing were particularly impressive" THE AUSTRALIAN

"Marwood's beautifully intelligent musical conception made him an ideal exponent and champion... the musical vision was compelling" SYDNEY MORNING HERALD

Britten concerto with London Philharmonic, conducted by Marin Alsop, 2007:

"Marwood didn't spare the angst. His playing was tough and sinewy, his tackling of the tricky passages in harmonics by no means facile. In the devilish double-stoppings and glissandi of the scherzo, he and Alsop raised the spirit of Schostakovich" THE TIMES

Bookings

General Management : Sibylle Jackson at Hazard Chase  25 City Road, Cambridge, CB1 1DP  UK

Tel : +44 1223 312400

Email : mailto:sibylle.jackson@hazardchase.co.uk

USA, Canada and Mexico : Chris Putnam or Lee Prinz at Colbert Artists Management  111 W57th St New York, NY 10019  USA

Tel : +1 212 757 0782

Email : putnam@colbertartists.com

Email : mailto:lprinz@colbertartists.com